Images from cinema, nature and ordinary items construct a narrative about the way the male gender is perceived in our society. A manifestation of that aspect is seen in Urdu movies, where the man is the focus of all aspiration, frustrations and accusations. A visual reference from the film in the middle panel is altered and converted into its negative image, thus portraying the negative connotations and situations that not only happen on a celluloid screen, but also repeat in real life.