EVERYTHING AND NOTHING I | 2011

PRINT + DIASEC | TWO PANELS: 290 X 230.19 CM

Thousands of European paintings from the 16th to 19th century formulate a large image of two identical bookshelves, which are not so identical since one is sharp as an image and the other appears to be blurred. Actually and ironically, the blurred view of the bookshelf is made of sharp images of the European paintings and the sharp image of the bookshelf is made with blurred pictures of the European paintings; and these familiar paintings are in fact horizontally flipped. Thus a constant experience of registering/acknowledging something and its absence, simultaneously signify the limitation that exists between the translation of verbal and visual languages.

_--5)_Everything-and-Nothing-I_Detail